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European Studies February 28, 2005 Minutes
Convention: an agreement between the film and the viewer referencing the acceptability of illusionary and fantastical images in film. For example, in a film, editing is seen by the human mind as being “logical”, although our minds are not fragmented and continuous. Close-up: a shot usually concentrating on a relatively small image (maybe a human face). Not intended to show anything else. This forces the viewer to focus on nothing but the image that has been magnified. Example: “Breathless” – the last shot that shows Patricia’s face after Michel has died, and she is trying to decipher what his last words to her were. · Examples from movie clips: selected @ 6 pts./each L’eclisse: The characters in this film are far away from each other and the distance implies unhappiness and hopelessness. The woman looks away from the man, then continues to walk away from him, symbolizing the breaking of a tie/ an end to the relationship. The shot of her looking at him through the mirror removes her from the scene, while simultaneously maintains her presence in it. The fan blowing back and forth is the only consistent action taking place in both of their individual spaces. Goodbye Franziska: The music sets the tone of the scene and changes according to the actions taking place. It is somewhat flirty and light while the man is following her through the park. It changes to a more religious, organ-like tone when she enters the church. The music acts as the dialogue and leads the viewer through the events taking place.
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